These sources collectively explore the MLP-Mixer architecture and its numerous extensions across computer vision and audio tasks. The core concept of the Mixer is to separate and blend information—originally via token-mixing (spatial locations) and channel-mixing (features)—using only Multi-Layer Perceptrons (MLPs), which is seen as a simpler alternative to CNNs and Vision Transformers. One source introduces KAN-Mixers, replacing standard MLPs with Kolmogorov-Arnold Networks (KANs) to potentially improve accuracy and interpretability for image classification, showing strong results on CIFAR-10. Other works propose structural modifications, such as the Circulant Channel-Specific (CCS) token-mixing MLP to improve spatial invariance and efficiency, and ConvMixer, which uses large-kernel convolutions for mixing. Furthermore, the Mixer principle is applied to audio classification with ASM-RH, which blends Roll-Time and Hermit-Frequency information, proving the Mixer is a versatile paradigm adaptable to domain-specific feature perspectives. Finally, research also suggests that the success of the MLP-Mixer is rooted in its effective structure as a wide and sparse MLP, which embeds sparsity as an inductive bias.